Wednesday, January 20, 2010

   

 

I know, I know, this isn't exactly new music. They were all released before Death Cab For Cutie even existed, but still, hear me out.

So, from left to right: James Blunt with Back to Bedlam, Michelle Branch with Spirit Room, and Sugarland with Twice the Speed of Life.

Blunt, at least in this album, is really easy to listen to and his melodies are soothing compared to Sugarland, which is upbeat and which takes a little adjusting to. Jennifer Nettles' vocals aren't quite as smooth as they are in Enjoy the Ride. She's more zesty and raw here, so in this combo, Blunt balances out the zestyness with his toned voice and the bubbliness of the beat with his mellow tunes.

Branch is in the middle because she is neither zesty nor mellow. She can be bubbly at times, but she needs nothing to balance her out. Spirit Room's pop spirit complements the other two well. It's like the cherry on top of the sundae.

If I had to pick a song from each album that really ties together the mood they create it would be the following (click on each player to listen):

 

Tuesday, January 12, 2010

I actually do intend on reviewing every single one of them...at some point. Enjoy.

 

 

The Boys Are Back

Directed by Scott Hicks

Starring:

Clive Owen as Joe Warr
Nicholas McAnulty as Artie Warr
George MacKay as Harry Warr

If you don't like the cast, watch it for the scenery. I promise it's worth it.

 

Dorian Gray

Directed by Oliver Parker

Starring:

Ben Barnes as Dorian Gray
Colin Firth as Lord Hengry Wotton

Beautiful depiction of the book. I wasn't a fan of the liberties they took with the plot, but I suppose sometimes you have to accept compromise.


Julie & Julia

Directed by Norah Ephron

Starring:

Meryl Streep as Julia Child
Amy Adams as Julie Powell

An overall charming story about two women who found that cooking food brought joy into their lives. All I can say is that they are lucky.

 

 

The Rebound

Directed by Bart Freundlich

Starring:

Catherine Zeta-Jones as Sandy
Justin Bartha as Aram Finklestein

Definitely a guilty pleasure. Nothing about this was particularly original, but the cast was decent and the dialogue wasn't bland.

 

 

Up in the Air

Directed by Jason Reitman

Starring:

George Clooney as Ryan Bingham
Anna Kendrick as Natalie Keener
Vera Farmiga as Alex Goran

Mr Clooney was, as usual, charming and Anna Kendrick did quite a good job as Natalie. I'm not a fan of the ending, but everything else made it worth sacrificing a Sunday evening for.

Monday, January 11, 2010

The son of a courtesan retreats into a fantasy world after being forced to end his relationship with the older woman who educated him in the ways of love.

 

Director: Stephen Frears

Starring:

Michelle Pfeiffer as Lea de Lonval
Rubert Friend as Cheri

In a game of seduction, never fall in love.

 

 

The Review 

One thing that did not disappoint me about this movie was the music. Absolutely exquisite! Of course, it was a little while later, while I was listening to the score independently of the film when I realized that it made me think of circus tunes. Is the picture itself circus-like? In a few ways, undoubtedly.

There's one particular relationship our heroine (if you can call her that) comes in contact with that brings about circus motifs. It is an old friend of Mme Peloux who was herself, at some point or another a prostitute. We see her with a very, very young beau (he can't have been much older than 16) and their performance is altogether ridiculous. The lady is a freak who's lost her marbles. Lea (our heroine) is so appalled and disgusted by the perverted ex prostitute that she makes a hasty excuse and flees from Mme Peloux's. Her reaction is like that of a lady spectator who identifies so strongly with the bearded woman or the 400lb lady (two figures which no circus circa pre millenium would lack) that she cannot stand the sight of herself embodied in such a way.

Or perhaps Lea simply missed her own young beau so much that she had to flee from any reminders of their time together. Who knows... The film certainly doesn't make much of a show of putting those particular puzzle pieces together.

Cheri is a love story, filtered through talks of wealthy prostitutes. I expected very little from a movie of this sort, but in the end I was surprised. It had some moments of genuine charm. Though I'm afraid none of those moments came from Cheri himself. He was, I'm afraid, a generally disappointing character with very little to offer. Rupert Friend is not that charming. Indeed, I'm afraid no one would be charming enough for this role (not even Robert Pattinson). It becomes very obvious very early in the movie that only Lea herself could truly love him. No one else but the maker herself could understand him.

Did I find this worth watching? Yes. It has insight into human feature. Reminded me of Flaubert's writing, except that Mme Bovary had to hide who she really was from the world. These women do not, and they live well because of it.